Thursday, September 20, 2012

FOURPLAY is AGLIFF's Centerpiece Film!

Looking at my posts from this summer it looks like I was a member of the Fourplay PR team, which maybe I am (unofficially - at this level of filmmaking, you have to do everything you can to get the word out yourself!).

In October, the Austin Gay and Lesbian International Film Festival (which is going through a rebrand to the name Polari) will feature Fourplay as its centerpiece film. We will screen October 5th at 845 PM. It's a screening not meant for kiddies (as though the title itself wasn't warning enough).

"Fourplay: Austin"
I'm very excited to finally screen our work in Austin where it was mostly shot and produced from. I'm also nervous about what the response might be. There is some controversial material, for sure, but hopefully people accept the film as all in good fun, audacious, and a (positive) conversation starter rather than anything malicious.

I attended AGLIFF's launch party last Friday at Cheer Up Charlie's. Everyone there was supportive and pumped for the start of the festival season. AGLIFF has a close community and a rabid fan base, it seems, and I think the festival is going to provide a diverse and adventurous program. I only wish I could have won something from the raffle - I bought twenty tickets!

Directed by Kyle Henry, Fourplay is an anthology-of-shorts feature film that explores four tales of sexual intimacy. Executive produced by Jim McKay and Michael Stipe.

Tuesday, September 18, 2012

A Little Redesign

Trying a little redesign to better tie the blog to my website, david-fabelo.com. I'm pretty swamped right now but I'd like to tweak both the blog and the web site in the coming weeks, if possible, even if it's simply changing the main image on both the web site and the blog (so the first thing you see isn't my goofy smile. Not that I'm ashamed, mind you; I smile like that when I'm making movies!... Okay, maybe we should still take it down so it's possible an image from one of my films, maybe...?...).

I took a trip to LA Shortsfest last week where "Do Over" played its first Los Angeles area film fest. The film played well and it was great to get back to LA to visit friends, collaborators and just get the rhythm of that city under my feet even if only for a few days. Some nice laughs and warm round of applause for the film. I hope people enjoyed it.

LA isn't the only festival "Do Over" has played recently. In September, so far, it has screened at the Cinesol Film Festival in the Rio Grande Valley, LA Shortsfest as I mentioned, and on Saturday September 15th it screened at Atlanta Shortsfest. I'm still waiting to see when they announce their award winners. "Do Over" for Best Romantic Comedy, maybe? We'll see...

And there are still more festival announcements to be made! I'll admit I'm waiting on one in particular to announce their line up so I can do a write up that covers all of the festivals I just listed and a few more in the fall. I've had a lot on my plate lately so I've been doing a poor job of updating this blog regularly. What have I been up to?

Aside from meeting the festival requirements for "Do Over" and trying to keep up with its promotion, I've also been editing a narrative feature called All That Remains. I've also been serving as post production supervisor on Bryan Poyser's forthcoming feature, The Bounceback. That combined with teaching part-time and keeping up with some major developments in my personal life have kept me occupied.

Things may wind down a bit in a month or two as some of these projects and other things get off my plate. Until then, look out for my next random update at TBD point in the future. In the meantime, thanks for checking in.


Monday, September 10, 2012

Website Down

Apparently Go Daddy has been targeted by a member of Anonymous:

Read here

This means david-fabelo.com is down for a little while. I'll take this opportunity to say it's been a busy time for me since my last post as I continue to oversee my short film Do Over during its festival run as well as edit a feature narrative, All That Remains. Plus a ton of other great personal life events. So the news blog hasn't been updated as frequently as it should.

That said, I plan on making some time for an extensive overview of what's been going on and what's coming up. I should also be able to announce another festival for Do Over in the coming days.

So for any readers or new visitors looking for information on director/editor David Fabelo, consider this blog home base until Go Daddy solves their ominous web issues.

Hmmm... Sorta feels like the end of Escape From L.A.:


Wednesday, July 11, 2012

FOURPLAY Update

Fourplay gets a great write-up in H2N's Outfest 2012 preview

Poster by Yen Tan
Really feeling the love from Hammer To Nail. Not only did newly minted Austinite Michael Tully write this review for Fourplay: Tampa, but now Paul Sbrizzi has described the feature thusly:
"No one is making films like Kyle Henry’s Fourplay these days. Its sunny, hyperreal tone and very American characters thrust into unabashedly sexual situations are reminiscent of the youth-oriented comedies of the post-hippie, pre-AIDS late-‘70s and early ‘80s—think Eating Raoul and Kentucky Fried Movie, or the TV show Soap."
Check out Sbrizzi's preview here,
I'm proud to have had a role in contributing to the film's positive reception: I edited three of the four shorts in the feature, Skokie, Austin and Tampa; incredible editor Rita K. Sanders edited the emotional, poignant fourth segment San Francisco.

Fourplay premieres at Outfest 2012 this Sunday, July 15th in Los Angeles.

Directed by Kyle Henry, written by Carlos TreviƱo and Jessica Hedrick, shot by PJ Raval and produced by Jason Wehling, Fourplay is an anthology-of-shorts feature film that explores four tales of sexual intimacy. Executive produced by Jim McKay and Michael Stipe.

Friday, June 15, 2012

Saved By The MiniDV

Earlier this week, the outdated yet resilient technology known as MiniDV tape nearly saved my ass.

I work part-time as a filmmaking instructor at a private school. We haven't gone completely tapeless yet (working on it!) and throughout the school year I'll pick up some extra work making promo videos or filming live performances such as school plays on our Panasonic DVXs (one of the best built DV cameras - period).

One of the performances I recorded last year was of The Laramie Project, a powerful play that resonates as much today as it did when it was first published. The kids did a great job. They even held a discussion about the issues the play explores after each performance. I commend the school for allowing this to happen. Trust me - some private schools, including some in our system, wouldn't go near this material.

Anyway, between the two cameras we shot six MiniDV tapes' worth of the Laramie performance, three tapes per camera. I used six of our computers to capture (remember Log and Capture?) all these tapes at once so I wasn't capturing them one by one (remember when you had to factor capture time into your workflow?). Once that process was complete, I moved the newly made quicktime files onto an external drive, I synced the cameras together in Final Cut Pro 7, and intended on taking the drive home and editing the program for a DVD.

But I neglected that last part for about six months.

Spring cleaning

At the end of the school year we clear a lot of media from our computers. No one had brought up the Laramie DVDs since I captured the footage, so when I saw the quicktimes on the hard drive I assumed we didn't really need to make the DVD anymore. 

I must have deleted the footage in early May.

At the end of May, with seniors who had performed in the play graduating, there was renewed interest in a DVD. Forgetting what I had done only a few weeks prior, I said, "Sure, no problem, I can whip that right up."

Yesterday, I picked up the hard drive intending to finish what I had started only to discover the footage was gone. I had broken a cardinal rule of mine: Always triple-check that you don't need this or that footage before you delete it.

I panicked. I did not look forward to telling the theater teacher there would be no Laramie DVD. I cursed and kicked things (alone in the class room, of course) and yelled at my past self. I'm juggling several projects right now. The last thing I need is the stress caused by such a careless oversight. I paced around the classroom hoping that a solution would present itself.

And it did.

Sitting on a bookshelf, stacked in neat order, I found the original MiniDV tapes. As though Past Me had whispered to himself, "Just in case..."

It's a painful format to work with, but at least it's REAL

Re-discovering the MiniDV tapes made me think about if we had recorded our projects on memory cards and we had only backed it up to one drive (then erased the footage off the cards), recovering that footage would have been impossible and I would have disappointed a colleague and several of our students.

This happened the same week the new Macbook Pros were announced. To hell with the Superdrive - no one burns DVDs anymore! At least, Apple would like you to stop burning DVDs.

On the other end of the media spectrum I picked up LTO tape backups for a feature film I am post supervising. This footage was shot on the Arri Alexa and while we have it backed up across three 4TB external drives, making LTO backups created a physical backup that, in theory, will last us thirty years. You know - for the eventual director's super-duper cut in 2042. They are sitting on a shelf in a bag in my closet, waiting for the day they can come to the rescue the way the MiniDV tapes did for me.

This is not a post meant to lament change - change is good, it's necessary, and it's a part of life. But I couldn't help but think of a few of the virtues of physical media. Physical media would have saved me in this instance in a way that virtual media might not have. The experience just made me very aware of the transition we're in the middle of, and how it can it be a good thing that it takes a while for old technology to die out. Just yesterday I spent the better part of my day creating DVDs of my short film for festival submissions (won't be as easy, in the future, whenever I upgrade my Macbook Pro). That after also submitting digitally via the Without A Box online screener - one foot in one world, one foot in the other.

Look, I haven't come to any compelling conclusions or insight. This is more of a think piece. The media-destruction-scare followed by the MiniDV-save just got me thinking about Virtual and Physical media. We're at an interesting pivot point in technology where physical boundaries are being eroded.
Someday we may keep high end, data intensive (like uncompressed 8 bit video) media online that takes up tons of drive space. Will it become so routine that we catalogue video the way we catalogue emails? (Google and wevideo have already teamed up to offer online, collaborative video editing - has anyone used this?) Imagine trying to search for video of a family member in your Video Inbox without remembering exactly how you catalogued it. Will it be a quick find? Or take just as long as if you had left a tape in an archive bin in your office closet?

We're building a new world in the Cloud, day by day. But clouds have no ground for you to stand on. And one day I'll lose some footage again, look for my trusty MiniDV - low resolution and all - and it won't be there to come to my rescue.

Monday, June 4, 2012

Outfest Line Up is released - FOURPLAY is in competition!

FOURPLAY will make its official world premiere (after a sneak preview at Frameline 36 in San Francisco) at the 30th Outfest Film Festival this July. It will compete in the narrative competition. Looks like a great crop of films in the competition with us, including Jonathan Lisecki's GAYBY (which is hilarious and shot by my friend Clay Liford) and SUNSET STORIES from directors Silas Howard and Ernesto Foronda, both of which I saw this year at SXSW. Not only is it a charming film, SUNSET STORIES was also shot by FOURPLAY's cinematographer, PJ Raval.

Here's Indiewire's Outfest Announcement.

Follow the FOURPLAY BLOG (NSFW)

FOURPLAY is a feature comprised of four short films about sexual intimacy. Directed by Kyle Henry, each story mixes tones and gender relationships and approaches sex for what it is: an emotional, physical and sometimes transcendent experience. Shot over the course of four years, the film was funded partially by Kickstarter campaigns, the Texas Filmmaker's Production Fund, and other funding; it is executive produced by Jim McKay and Michael Stipe's C-Hundred Films and was shot on multiple formats, including the Sony EX3, the Canon 5D, and the Red camera.

About Outfest

Outfest is the leading organization showcasing, nurturing and preserving lesbian, gay, bisexual and transgender film images and artistry. For 29 years Outfest has led the charge, spotlighting emerging talent, creating community between filmmakers and audiences and offering a world-class forum for stories that reflect and often transform LGBT lives.

Since its founding in 1982, Outfest has showcased over 4,500 films for audiences well over half a million people. Our festivals, year-round screening series and special events bring together film lovers, innovative artists, celebrities, entertainment industry professionals … and some of the hottest parties around!

Outfest is also the only nonprofit organization dedicated to ensuring that the extensive but threatened LGBT film heritage is preserved. Since the beginning of the struggle for LGBT equality, visionary filmmakers have recorded their lives, challenges and triumphs on film. Outfest is committed to saving, preserving and providing access to that precious, affirming heritage for generations to come.





Saturday, June 2, 2012

FOURPLAY feature to screen at Frameline 36 in San Francisco

I am pleased to announce that on Sunday, June 17th the feature film FOURPLAY will screen at the 36th Annual Frameline Film Festival. FOURPLAY is comprised of four short films which take place in four different cities around the US. Each story explores sex and intimacy through melodrama, comedy, suspense, and the absurd. It's funny, it's sad, it's heartfelt and it's important filmmaking from director Kyle Henry.

I edited three of the four short films - SKOKIE, AUSTIN, and TAMPA. Rita K. Sanders edited SAN FRANCISCO. The films are explicit, yes, but also deeply emotional and gripping.

If you are in the San Francisco area, please check it out if you can.

Frameline 36 Screening times

More about Frameline 36 (from their web site):


"Founded in 1977, the San Francisco International LGBT Film Festival is the longest-running, largest and most widely recognized LGBT film exhibition event in the world.... Frameline’s mission is to strengthen the diverse lesbian, gay, bisexual and transgender community and further its visibility by supporting and promoting a broad array of cultural representations and artistic expression in film, video and other media arts."